{"id":27148,"date":"2026-08-26T12:13:42","date_gmt":"2026-08-26T08:13:42","guid":{"rendered":"https:\/\/nashernews.com\/mary-shelley-souleva-en-premier-la-question-de-lintelligence-artificielle\/"},"modified":"2026-08-26T12:14:47","modified_gmt":"2026-08-26T08:14:47","slug":"mary-shelley-souleva-en-premier-la-question-de-lintelligence-artificielle","status":"publish","type":"post","link":"https:\/\/nashernews.com\/fr\/mary-shelley-souleva-en-premier-la-question-de-lintelligence-artificielle\/","title":{"rendered":"Mary Shelley Souleva En Premier La Question De L’Intelligence Artificielle"},"content":{"rendered":"

Mary Shelley na\u00eet \u00e0 Londres le 30 ao\u00fbt 1797. Elle offre \u00e0 la litt\u00e9rature l’une de ses \u0153uvres les plus c\u00e9l\u00e8bres, Frankenstein. Elle a seulement 18 ans lorsqu’elle commence la r\u00e9daction de ce roman. Elle ignore alors qu’elle place au c\u0153ur de son r\u00e9cit une interrogation qui va demeurer vivante plus de deux si\u00e8cles. Les cons\u00e9quences se r\u00e9v\u00e8lent majeures lorsque les \u00eatres humains r\u00e9ussissent \u00e0 concevoir une entit\u00e9 dot\u00e9e d’une vie ou d’une volont\u00e9 qui d\u00e9passe leurs intentions initiales. Publi\u00e9 pour la premi\u00e8re fois en 1818, \u00e0 une \u00e9poque o\u00f9 l’\u00e9lectricit\u00e9 et les nouvelles exp\u00e9riences scientifiques suscitent \u00e0 la fois \u00e9merveillement et inqui\u00e9tude, ce livre ne se r\u00e9sume pas \u00e0 l’existence d’une \u00e9trange cr\u00e9ature. Il propose une r\u00e9flexion pr\u00e9coce sur les limites de la science et sur la responsabilit\u00e9 de l’humanit\u00e9 envers ses propres cr\u00e9ations. La culture populaire a longtemps r\u00e9duit Frankenstein \u00e0 l’image d’un corps gigantesque assembl\u00e9 \u00e0 partir de morceaux disparates, mais le roman de Shelley se r\u00e9v\u00e8le beaucoup plus complexe. Frankenstein est, en r\u00e9alit\u00e9, le nom du scientifique, Victor Frankenstein, et non celui de la cr\u00e9ature, qui reste sans nom tout au long du livre. Victor r\u00e9alise ce qui semble un r\u00eave impossible : il donne la vie \u00e0 de la mati\u00e8re morte. Toutefois, au moment pr\u00e9cis o\u00f9 il observe le r\u00e9sultat de son exp\u00e9rience, il recule de terreur et l’abandonne. C’est l\u00e0 que d\u00e9bute la v\u00e9ritable trag\u00e9die. La difficult\u00e9 ne r\u00e9side pas dans la capacit\u00e9 de l’humanit\u00e9 \u00e0 innover, mais dans les cons\u00e9quences qui surviennent lorsque nous cr\u00e9ons une entit\u00e9 puis refusons d’en assumer la responsabilit\u00e9.<\/span><\/p>\n

Plus de deux si\u00e8cles plus tard, ce roman semble singuli\u00e8rement proche des d\u00e9bats de notre \u00e9poque sur l’intelligence artificielle, le g\u00e9nie g\u00e9n\u00e9tique, la robotique et les technologies capables de prendre des d\u00e9cisions ou de produire des connaissances nouvelles. Mary Shelley n’a pas, bien s\u00fbr, anticip\u00e9 les ordinateurs ou les algorithmes, mais elle a per\u00e7u tr\u00e8s t\u00f4t le dilemme \u00e9thique qui accompagne chaque grand progr\u00e8s scientifique. Elle pose la question de savoir si la possibilit\u00e9 de cr\u00e9er une chose suffit \u00e0 l\u00e9gitimer sa cr\u00e9ation. Et qui porte la responsabilit\u00e9 lorsqu’une technologie devient une force difficile \u00e0 ma\u00eetriser ? L’interrogation de Shelley devient de plus en plus urgente \u00e0 mesure que grandit la capacit\u00e9 de l’humanit\u00e9 \u00e0 transformer le monde qui l’entoure. De plus, le monstre du roman n’est pas mauvais d\u00e8s le d\u00e9part. Il apprend la langue, lit, observe les \u00eatres humains et d\u00e9signe de l’affection, mais il fait face \u00e0 la peur et au rejet en raison de son apparence. Peu \u00e0 peu, ce rejet de la soci\u00e9t\u00e9 se transforme en col\u00e8re et en vengeance. Ici, Shelley inverse la logique classique de la terreur : qui est le v\u00e9ritable monstre, la cr\u00e9ature qui r\u00e9alise des actes terribles ou l’humain qui cr\u00e9e la vie pour ensuite l’abandonner ? \u00c0 travers ce paradoxe, le roman d\u00e9passe largement les fronti\u00e8res du r\u00e9cit d’\u00e9pouvante pour devenir une \u0153uvre sur l’isolement, la responsabilit\u00e9, les pr\u00e9jug\u00e9s et le besoin d’appartenance, ainsi que sur les suites d’une cr\u00e9ation \u00e0 laquelle on donne le pouvoir sans lui offrir de bienveillance.<\/span><\/p>\n

C’est sans doute pour cette raison que Frankenstein n’est pas rest\u00e9 enferm\u00e9 dans son \u00e9poque. L’ouvrage est pass\u00e9 du livre \u00e0 la sc\u00e8ne, au cin\u00e9ma, \u00e0 la t\u00e9l\u00e9vision et aux bandes dessin\u00e9es, tandis que son nom est devenu une m\u00e9taphore pour les inventions qui peuvent finir par se retourner contre leurs cr\u00e9ateurs. \u00c0 chaque nouvelle r\u00e9volution technologique, la question pos\u00e9e par une jeune femme de moins de 20 ans revient avec une force renouvel\u00e9e : quels sont nos devoirs envers les choses que nous cr\u00e9ons ? \u00c0 une p\u00e9riode o\u00f9 le monde discute des limites de l’intelligence artificielle, des devoirs de ses concepteurs et des relations futures entre l’homme et la machine, Mary Shelley semble nous avertir que le plus grand p\u00e9ril de l’innovation ne r\u00e9side pas dans l’objet cr\u00e9\u00e9, mais dans la mani\u00e8re dont les \u00eatres humains choisissent de le traiter.<\/span><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Mary Shelley na\u00eet \u00e0 Londres le 30 ao\u00fbt 1797. Elle offre \u00e0 la litt\u00e9rature l’une de ses \u0153uvres les plus c\u00e9l\u00e8bres, Frankenstein. Elle a seulement 18 ans lorsqu’elle commence la r\u00e9daction de ce roman. Elle ignore alors qu’elle place au c\u0153ur de son r\u00e9cit une interrogation qui va demeurer vivante plus de deux si\u00e8cles. Les […]<\/p>\n","protected":false},"author":12,"featured_media":27145,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[111],"tags":[],"class_list":["post-27148","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles-and-reportages","et-has-post-format-content","et_post_format-et-post-format-standard"],"acf":[],"yoast_head":"\nMary Shelley Souleva En Premier La Question De L'Intelligence Artificielle - Nasher News<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nashernews.com\/fr\/mary-shelley-souleva-en-premier-la-question-de-lintelligence-artificielle\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mary Shelley Souleva En Premier La Question De L'Intelligence Artificielle - Nasher News\" \/>\n<meta property=\"og:description\" content=\"Mary Shelley na\u00eet \u00e0 Londres le 30 ao\u00fbt 1797. Elle offre \u00e0 la litt\u00e9rature l’une de ses \u0153uvres les plus c\u00e9l\u00e8bres, Frankenstein. Elle a seulement 18 ans lorsqu’elle commence la r\u00e9daction de ce roman. Elle ignore alors qu’elle place au c\u0153ur de son r\u00e9cit une interrogation qui va demeurer vivante plus de deux si\u00e8cles. 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